Independent Film Making Is Going through A Rocky Road

Hollywood has had a stranglehold on movie making since the early twentieth century but ever since the late 1960′s more and more mavericks have taken independent film making to bigger heights. Flicks such as “Putney Swope” and “The Graduate” were impressive when they were initially released and provided the way for generations to come of independent film making students as well as directors. Who can forget about the younger, fresh-faced Dustin Hoffman in “The Graduate”? This particular film not just introduced us to Dustin Hoffman and Anne Bancroft but additionally brought us the great track from Simon and Garfunkel “Mrs. Robinson.” Most of us at the same time got to see a young celebrity named Jon Voight play a lost and lonely character in “Midnight Cowboy.” These are definitely flicks that Hollywood was merely incapable of making during the sixties. It took quite a few movie rebels to consider independent film making processes and make these motion pictures then fight for them right up until they got widespread distribution.

Distribution continues to be the key to having any film seen by audiences at cinemas, although the ways of distribution are evolving. Global distribution is still governed mostly by the major Hollywood studios. They’ve already secured deals with all of the major movie theater chains all over the world. That’s the reason why you usually observe studio motion pictures actively playing at the local multiplex and seldom any independent offerings besides at little art house cinemas in large cities. Even when independent film making results in an excellent flick, the distributors are usually the art house subsidiaries of the large studios such as Fox Searchlight.

Other art house subs have vanished as soon as Paramount shut down Paramount Vantage, or when Time Warner shut down Warner Independent. The economic difficulty is experienced extremely strongly by indie film makers all over the world as the meltdown of independent distributors proceeds. Only 11 indie movie distributors stay from the 38 official “front end” art house affiliates of the majors since 2007. There are nevertheless several die hards like Think Films but some are in free fall and will vanish unless of course something major happens soon.

In the past several years independent film making has experienced some huge positive results. When “Slumdog Millionaire” earned Best Picture at the 2009 Academy Awards it came out as a surprise, but is not a complete surprise. Other indie movies had paved the way for this over the preceding years. Films such as “The English Patient”, “Little Miss Sunshine”, “Sideways” and many more. “The Blair Witch Project” was obviously a perfect illustration of successful independent film making gone perfect. New Line selected it at one of the movie festivals and that motion picture that was produced on a small funds proceeded to produce several hundred millions of dollars in worldwide profits.

Independent film making today deals with its hardest challenge ever in the face of the economic difficulties on the planet. We’re vulnerable to losing this much needed business and individuals should get out and support independent film making by spending to see these motion pictures when they come to movie theaters.

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